Full-rate tail for three years
§15(a)
twenty percent (20%)
20% for three years after you leave, 15% in year four. Market sunsets step down from year one.
See C1Sign with changes(verdict)
A 30-section exclusive management offer from Bulture LLC, a Florida company, to a new artist in Phoenix, Arizona. The draft already carries real artist protections. The money leaks sit in the post-term tail and in who the deal is really with.
Sign only after the checks and changes below. If the company cannot be verified, or there is no movement on the key person and the tail, walk away or offer the 6-month trial in Zoom 3.
The draft already gives you a no-cause exit after month 12, no auto-renewal, expense approvals, eleven commission exclusions, a final say on every deal, and a business manager holding the money.
Critical counts seven clause findings plus the unverified registration (R10). Each clause finding has a row in section 05.
The audit is complete. No message has gone to the manager yet. Update this board after each step.
| Phase | Status | Next step |
|---|---|---|
| 1. Pre-signing checks | todo | Search Bulture LLC on Sunbiz. Send Q1 to Q5. |
| 2. Send the redline | todo | Send the opening message once a lawyer is booked. |
| 3. Call with the manager | todo | Book the call after he has the redline. |
| 4. Lawyer review | todo | Book the $50 bar referral consult now. |
| 5. Sign or walk | todo | Waits on phases 1 to 4. |
The finish line for the negotiation, stated so anyone helping can check it.
| Field | Value |
|---|---|
| Outcome | A signed agreement that carries all seven must-haves, or a written decision to sign the 6-month trial or to walk. |
| Target | Pass or fail: 3 of 3 pre-signing checks pass, and 7 of 7 must-haves appear in the final signed text. |
| Check | Compare the final text line by line with the must-have list in Zoom 2. Keep the Sunbiz record for Bulture LLC. |
| Budget | About two weeks from first message to decision. One lawyer consult: $50 for 30 minutes through the Maricopa County Bar, then a quoted flat fee if needed. |
| Allowed without asking | Send the opening message. Ask Q1 to Q12. Give any trade chip. Accept any listed fallback on a strong ask. |
| Must stop and ask | Talk to your lawyer before you pay any fee up front, drop or soften a must-have, sign before the final text is reviewed, or post about the deal in public. |
| Done means | Signed with the must-haves, signed as a 6-month trial, or walked, with the reason written down and every email saved. |
Red flags(R1 to R10)
Each card gives the clause, a short quote, the impact, and the finding that fixes it. Two readings are contested and marked so.
§15(a)
twenty percent (20%)
20% for three years after you leave, 15% in year four. Market sunsets step down from year one.
See C1§15(a)(i), (iii)
recorded, created, or first commercially released during the Term
Songs merely recorded in the Term, and deals he never touched, still pay him for four years.
See C2§25
a successor entity
The deal is with an LLC. It can pass to a successor or an asset buyer without your consent. Bulture stays responsible on paper, but may hold nothing after a sale.
See C3§16
Manager shall remain entitled to Manager's Commission on all such Gross Earnings
Conflicts with §14(c)(i) and (xi). §29 removes your tie-breaker. Contested reading.
See C4§14(b)
actually received by or credited to Artist
No carve-out for songs and deals you had before signing. $3,600 over the Term at $500 a month.
See C5§18, §26
Artist shall be deemed to hold in trust for Manager
Only you hold money in trust, a civil-theft hook. You get 10 days to cure a payment miss. He gets 30.
See C7§26
accrued as of such date
Fire him for uncured breach and he can argue the four-year tail still runs. Damages are uncapped. Contested reading.
See C8§23
located in Broward County, Florida
He can sue cheaply in Florida small claims. You must defend in Florida.
See C9§4(a), §4(e)
within thirty (30) days
$60,000 a year possible with no sign-off, repayable in cash in 30 days. A miss becomes a 10-day default.
See C11Signature, §21
a Florida limited liability company
The Florida registry blocked automated lookups. No promise in the draft that the LLC is active and in good standing.
See diligenceOne row per term: what it says, why it hurts, and what to ask for. Replacement language is ready to paste into the redline. Section numbers follow the draft.
| What it says | Why it hurts | Ask for, fallback, language |
|---|---|---|
C1 Critical Tail rate §15(a) twenty percent (20%) during the first (1st), second (2nd), and third (3rd) years |
Full 20% for three years after you leave, then 15% in year four. Market sunsets step down from year one. If Term-era songs earn $30,000 a year after you leave, the tail pays him $22,500. Why he can accept the fix. He still earns for three years on work he built. Only the slope changes. |
Ask. 15% / 10% / 5% / 0% over three years. Fallback. 20% / 15% / 10% / 0%. Hold the settle here. Replacement languageAsk: replace §15(a)(A) to (C) (A) fifteen percent (15%) with respect to Post-Term Earnings received during the first (1st) year following the expiration or termination of the Term; (B) ten percent (10%) during the second (2nd) year; (C) five percent (5%) during the third (3rd) year; and (D) zero percent (0%) thereafter. Fallback (A) twenty percent (20%) with respect to Post-Term Earnings received during the first (1st) year following the expiration or termination of the Term; (B) fifteen percent (15%) during the second (2nd) year; (C) ten percent (10%) during the third (3rd) year; and (D) zero percent (0%) thereafter. |
C2 Critical Tail scope §15(a)(i), (iii) recorded, created, or first commercially released during the Term any agreement entered into during the Term |
A demo recorded in month 3 and released in year four still pays him. A DIY distributor account opened during the Term pulls every later release into the tail, though he never touched it. Why he can accept the fix. Ties his pay to his work, which is the stated reason for a tail. |
Ask. Released work only, released during the Term or within 6 months after. Only agreements he negotiated. Fallback. Keep created works he substantially contributed to, with a 9-month release window. Replacement languageAsk: replace §15(a)(i) (i) any agreement entered into during the Term that Manager negotiated or materially negotiated on Artist's behalf, excluding online distribution, publishing administration, and booking-agency agreements Manager did not negotiate; Ask: replace §15(a)(iii) (iii) any master recording, audiovisual work, or musical composition first commercially released during the Term or within six (6) months thereafter. Fallback for (iii) (iii) any master recording, audiovisual work, or musical composition recorded or created during the Term to which Manager substantially contributed, and first commercially released during the Term or within nine (9) months thereafter. |
C3 Critical No key person, free assignment §25, new §5A a successor entity so long as Manager remains primarily responsible |
You sign with an LLC, not a person. The deal can pass to a successor or an asset buyer without your consent. After an asset sale, the LLC left responsible may hold nothing. Sale at month 6 with $3,000 a month of income: about $4,800 to a manager you never chose before you can leave. Why he can accept the fix. Costs nothing if he plans to stay, which he will say he does. |
Ask. Key-person clause on Bulture's founder. No assignment without your written consent. Fallback. Assignment only to an entity the founder controls and personally runs. Your consent for any sale. Replacement languageAsk: new §5A Manager's services shall be rendered personally by the individual who signs this Agreement on Manager's behalf (the "Key Person"). If the Key Person ceases to personally render day-to-day management services to Artist for any reason, Artist may terminate this Agreement on thirty (30) days' written notice, notwithstanding Section 2(c), and Post-Term Earnings shall be limited to agreements fully executed before the notice date. Ask: replace §25 assignment right Manager may not assign this Agreement without Artist's prior written consent, except to an entity controlled by the Key Person in which the Key Person continues to personally render services. |
C4 Critical Commission on affiliate income §16 vs §14(c)(i), (xi) Manager shall remain entitled to Manager's Commission on all such Gross Earnings monies paid to Artist by Manager or Manager's affiliates |
After disclosure, he could earn as your label or publisher and again as your manager. Your reading, that §14(c) already excludes this money, is arguable, not settled. §29 removes the rule that unclear wording goes against the drafter. Contested. Why he can accept the fix. He already earns on the label side. Disclosure costs nothing if there are no affiliates. |
Ask. No commission on affiliate income. Written affiliate list before signing. §14(c) controls over §16. Fallback. 10% on affiliate income, only with your lawyer's written sign-off on that deal. Replacement languageAsk: replace the last sentence of §16 Notwithstanding anything to the contrary, Section 14(c) controls over this Section 16. No Manager's Commission shall be payable on Gross Earnings paid by, or derived from any agreement with, any entity in which Manager, the Key Person, or any of their affiliates holds any ownership, profit, or beneficial interest (each, an "Affiliate"). Manager represents that Schedule A lists every Affiliate as of the Effective Date, and Manager shall disclose any new Affiliate in writing before Artist is asked to enter into any agreement with it. Fallback Manager's Commission on Gross Earnings from an Affiliate shall be ten percent (10%), and shall be payable only if Artist's independent counsel approves the Affiliate agreement in writing. |
C5 Critical Old catalog commissioned §14(b) actually received by or credited to Artist |
Covers income from songs and deals you had before signing. At $500 a month of existing catalog income, that is $3,600 over the Term for work he did not create. Why he can accept the fix. He still earns on any lift he creates. |
Ask. Exclude works and deals that existed before signing, listed on Schedule B. Fallback. Commission only on growth above the trailing 12-month average. Replacement languageAsk: add §14(c)(xii) (xii) monies derived from any master recording, musical composition, or agreement that existed, or was commercially released, before the Effective Date, as listed on Schedule B. Fallback (xii) monies derived from any master recording, musical composition, or agreement listed on Schedule B, up to the amount such works earned in the twelve (12) months preceding the Effective Date. |
C6 Medium An advance counted twice §14(b) actually received by or credited to Artist |
Read literally, an advance is commissioned when paid and again when royalties are credited to recoup it. This rests on the literal words, not on a market source. Why he can accept the fix. If he never meant to double-dip, the sentence costs him nothing. |
Ask. Commission once, on cash received. Refunds credit back. Fallback. Same wording, keyed to whichever event comes first. Replacement languageAsk: add to §14(b) Advances are Gross Earnings when received. Royalties, credits, or other sums applied to recoup any advance, or any cost excluded under Section 14(c), are not Gross Earnings. Commission is payable only on monies actually received. If Artist refunds or repays any Gross Earnings on which commission was paid, Manager shall credit that commission against the next commission due, or repay it within thirty (30) days if none is due. |
C7 Critical One-way trust and cure periods §18, §26 Artist shall be deemed to hold in trust for Manager ten (10) days |
Only you hold his share in trust. That wording can turn a late or disputed show payment into a civil-theft claim with triple damages (Fla. Stat. 772.11). You get 10 days to cure a missed payment. He gets 30. Why he can accept the fix. He still gets paid in 10 business days, and the business manager already pays him. |
Ask. A plain duty to pay in 10 business days instead of trust wording. The same money cure both ways. Money he holds for you sits in a separate account. Fallback. Keep trust wording only if it binds both sides equally. Replacement languageAsk: §18 Replace "Artist shall be deemed to hold in trust for Manager that portion thereof" with "Artist shall pay to Manager that portion thereof". Add: "Any monies Manager receives on Artist's behalf shall be held in a separate account, shall not be commingled with Manager's funds, and shall be remitted within ten (10) business days." Ask: §26 Replace "any failure by Artist to pay Manager's Commission or any other monies due to Manager hereunder" with "any failure by either Party to pay monies due to the other Party hereunder". Add: "A Party may withhold an amount disputed in good faith, with written notice of the dispute, without breach." |
C8 Critical Full tail after his breach §26, §2(c), §15 accrued as of such date any other remedies available at law or in equity |
If you end the deal for his uncured breach, he can argue the full four-year tail still runs, and damages have no cap. "Accrued as of such date" gives you a counter-argument. Contested. Why he can accept the fix. Only bites if he breaches or disappears. |
Ask. If you end it for his breach, misconduct, insolvency or a key-person exit: tail limited to deals signed before notice, for 12 months. The §15 tail is his only compensation. Fallback. Tail cut to 20% / 10% / 0% in those cases. Replacement languageAsk: add §15(d) (d) If Artist terminates this Agreement under Section 3(h), Section 5A, or Section 26 for Manager's uncured material breach, or for Manager's fraud, misappropriation, undisclosed conflict of interest, dissolution, or insolvency, Post-Term Earnings shall be limited to Gross Earnings from agreements fully executed before the notice of termination, commissionable for no more than twelve (12) months. In every case of expiration or termination, Manager's rights under this Section 15 are Manager's sole compensation, and neither Party shall be liable for lost profits or consequential damages. |
C9 High Broward County courts only §23 exclusive jurisdiction of the state and federal courts located in Broward County, Florida |
Your exit and audit rights mean little if using them needs Florida counsel and flights. He can sue in Broward small claims (limit $8,000) at low cost. You must still appear in Florida. Why he can accept the fix. Protects him the same way. He keeps Florida law. |
Ask. Defendant's home county: whoever sues travels. Video appearances allowed. Fallback. 30 days of video mediation before anyone files. Replacement languageAsk: replace the §23 jurisdiction sentence Any action arising out of this Agreement shall be brought exclusively in the state or federal courts for the county in which the defendant resides or maintains its principal place of business, and each Party consents to jurisdiction there. Each Party may appear by video where the court permits. Fallback: add to §23 Before filing any action, the Parties shall mediate by video for no less than thirty (30) days. |
C10 Medium Vague opportunity tail §15(b) materially contributes to any business opportunity during the Term within twelve (12) months |
One mention of a deal during the Term can become a 12-month claim, stacked on the next manager's commission. Why he can accept the fix. The list protects him from "you cut me out" and you from "I mentioned it once". |
Ask. A written list of named opportunities at the end of the Term. Only listed deals count, for 6 months. Fallback. Written list, 12 months. Replacement languageAsk: replace §15(b) Within ten (10) business days after the end of the Term, Manager shall deliver to Artist a written list of each specific opportunity Manager introduced, developed, or negotiated during the Term, naming the counterparty. Only listed opportunities for which Artist signs an agreement within six (6) months after the Term are Post-Term Earnings under this Section 15(b). |
C11 High Expenses without sign-off §4(a), §4(e) any single expense in excess of One Thousand Dollars ($1,000.00) within thirty (30) days |
Up to $1,000 an item and $5,000 a month need no sign-off: $60,000 a year. You repay in cash within 30 days whether or not you earned anything, and a miss becomes a 10-day payment default under §26. Travel still needs your approval. Why he can accept the fix. Approvals by email already count under §4(a). He is repaid when money comes in. |
Ask. $500 an item, $1,500 a month. Repay only from Gross Earnings. Unpaid expenses are never a default. Fallback. $750 an item, $2,500 a month. Replacement languageAsk: §4(a) and §4(e) In Section 4(a), replace "One Thousand Dollars ($1,000.00)" with "Five Hundred Dollars ($500.00)" and "Five Thousand Dollars ($5,000.00)" with "One Thousand Five Hundred Dollars ($1,500.00)". Replace Section 4(e) with: "Artist shall reimburse approved, documented expenses only from Gross Earnings as received. Unreimbursed expenses shall bear no interest and shall not constitute a breach or default." |
C12 Medium Approval over your deals §4(i) not to be unreasonably withheld, conditioned, or delayed |
You keep the final say, so his approval step adds friction, not protection. It also covers a DIY distributor account and beat purchases. Why he can accept the fix. He still hears about every deal first. |
Ask. Consultation only. Drop "management agreement" from the list. Carve out standard online distribution and producer deals under $2,500. Fallback. Approval deemed given after 10 business days of silence. Replacement languageAsk: replace the §4(i) approval sentence Artist shall consult with Manager in good faith before entering into any Major Deal. Manager's approval is not required. Online distribution agreements on standard terms, and producer or beat agreements with fees under Two Thousand Five Hundred Dollars ($2,500), are not Major Deals. Fallback: add to §4(i) Approval is deemed given if Manager does not respond in writing within ten (10) business days after Artist's written request. |
C13 Medium Undefined performance exit §3(h) fails to provide meaningful management services for a continuous period of ninety (90) days |
"Meaningful" is undefined. Leaving a manager who went quiet takes 120 days or more. Why he can accept the fix. A report any working manager writes anyway. |
Ask. A monthly written report and two calls a month define "meaningful". Two missed reports trigger §3(h), with a 15-day cure. Fallback. Keep 90 days, with the report as the definition. Replacement languageAsk: add to §3(h) Meaningful management services include, at a minimum, a written monthly activity report delivered by the tenth (10th) day of each month and at least two (2) scheduled calls per month. Manager's failure to deliver two (2) consecutive monthly reports is a failure under this Section 3(h), with a fifteen (15) day cure period. |
C14 Medium One-sided suspension §19 Manager may, upon written notice to Artist, suspend the running of the Term |
Only he can pause. A pause pushes back the end of the Term and the start of the tail, by up to 12 months. The text is silent on commission during a pause, so that is his argument, not a term. Why he can accept the fix. He is not working during a pause. |
Ask. Suspension needs your consent. No commission on deals signed during it. 6 months in total. §2(c) and §3(h) keep running. Fallback. Keep his right and the 12-month cap. Add the commission and exit clarifications. Replacement languageAsk: add to §19 Manager may suspend the Term only with the written consent of Artist or Artist's legal representative. No commission shall accrue on agreements entered into during a suspension. Suspensions shall not exceed six (6) months in total over the Term. Artist's rights under Sections 2(c) and 3(h) continue during any suspension. |
C15 Medium One-way "irreplaceable" admission §24 personal, unique, and irreplaceable |
Only your services are called irreplaceable. That wording supports an injunction blocking you from a new manager or label. Why he can accept the fix. The remedy stays two-way. Only the one-sided admission goes. |
Ask. Delete the admission. Keep the mutual right to seek relief. Fallback. Make it mutual: "each Party". Replacement languageAsk: §24 In Section 24, delete "the services to be rendered by Artist hereunder are personal, unique, and irreplaceable, and that". Fallback: §24 In Section 24, replace "the services to be rendered by Artist hereunder" with "the services to be rendered by each Party hereunder". |
C16 Medium Lopsided audit §22 only with respect to statements rendered |
You may audit only statements he sends. He may audit your full books. Why he can accept the fix. Honest books cost nothing to show. |
Ask. Your audit covers all money he or an affiliate receives in connection with you, including third-party fees. Records sent electronically. Fallback. Electronic audits plus a written third-party payment disclosure. Replacement languageAsk: add to §22 Artist's audit right extends to all books and records of Manager and its Affiliates reflecting monies received in connection with Artist, including any fee, commission, or payment from a third party. Records shall be made available electronically. Ask: add to §16 Manager shall disclose in writing, and credit against Manager's Commission, any payment Manager or an Affiliate receives from a third party in connection with Artist. |
C17 Medium Use of your name and likeness §3(d), §10 approve or permit the use in connection with Manager's performance of its services |
§3(d) sits outside the limits in §8. §10 has no approval step, and it also covers your signatures. Why he can accept the fix. He can still promote you and list you as a past client. |
Ask. Uses need your prior approval and follow §8. After the Term, only a factual "former manager" credit. Fallback. Approval deemed given for materials you already approved. Replacement languageAsk: §3(d) and §10 In Section 3(d), add "subject to Artist's prior approval and to Section 8". In Section 10, add: "Such use is limited to the Term and to materials Artist has approved. After the Term, Manager may state factually that it formerly managed Artist." |
C18 Medium Drafting gaps Preamble, §13, §21, §27, §29 effective as of the date first written above [Manager Email] INTENTIONALLY OMITTED no rule of construction |
Income earned before you sign counts. Email is not a notice method. Blanks remain and one section was cut. Unclear wording no longer goes your way. No promise that the LLC is in good standing. Why he can accept the fix. Cleanup, not concessions. |
Ask. Effective Date is the date both sign. Email notice. Fill every blank. Explain §13. A good-standing promise. §14(c) controls over §16. Fallback. Keep §29 once the precedence sentence is in. Replacement languageAsk: preamble effective as of the date this Agreement is signed by both Parties (the "Effective Date"). Ask: add to §27 (iv) email to the address below, effective on the recipient's written acknowledgment. Each Party shall keep a current mailing address and email on file with the other. Ask: add to §21 (iii) Manager is a Florida limited liability company in active status and good standing, and the Key Person is authorized to sign for it. Ask: add to §29 Section 14(c) controls over any conflicting provision of this Agreement. |
C19 Medium No rules for your IP, accounts or hand-over New §31 Not in the draft. |
Nothing covers your masters, songs, name, social accounts, or what he hands back when the deal ends. Why he can accept the fix. Standard terms any working manager accepts. |
Ask. He owns none of your IP or accounts. Logins back in 5 days. Files and pending deals in 10. Fallback. Same, with 15-day deadlines. Replacement languageAsk: new §31 Manager acquires no ownership of any master, composition, publishing, name, trademark, domain, social media account, or fan data of Artist, and shall not register any of them. Within five (5) days after the Term, Manager shall return all logins and credentials. Within ten (10) days after the Term, Manager shall deliver all files, contacts, and the status of pending deals. Manager shall not procure employment or engagements for Artist in violation of Fla. Stat. ch. 468, Part VII, or any similar law. |
C20 Medium Two managers on the same dollar New, §15 Not in the draft. |
Nothing limits stacking with your next manager. On a $90,000 album net, two managers at 20% take $36,000. Why he can accept the fix. He still gets paid. |
Ask. Cap Bulture's tail at 10% on income a later manager also commissions. Fallback. Ask your next manager to back out Bulture's share. Replacement languageAsk: add to §15 Manager's commission on any Post-Term Earnings on which a successor personal manager also receives commission shall not exceed ten percent (10%). |
C21 Low Commission rate §14(a) twenty percent (20%) of all Gross Earnings |
Top of the 15 to 20% range. Normal for a first-time signing, per Chartlex. Why he can accept the fix. He keeps his headline rate. |
Ask. Accept 20% in exchange for C1 to C5. Fallback. Step down by Term year: 20% / 17.5% / 15%. Replacement languageFallback: §14(a) rate Manager's Commission shall be twenty percent (20%) of Gross Earnings received during the first (1st) year of the Term, seventeen and one-half percent (17.5%) during the second (2nd) year, and fifteen percent (15%) thereafter. |
C22 Low Three-year term §2(a) three (3) years |
With the month-12 exit, the term length mostly sets how many songs the tail captures. C2 fixes that. Why he can accept the fix. He gets the full term. |
Ask. Accept 3 years once C2 is in. Fallback. 18 months. A Miami firm suggests 12 to 18. No text change. Concede it as a trade chip. |
C23 Medium Band and DJ pay commissioned §14(c)(vii) the services of Artist's band shall not be deemed |
You pay 20% on money that goes straight to your band or DJ. With a $2,000 DJ, that is $400 on every $10,000 show. Why he can accept the fix. Receipted pass-through costs. No accounting fight. |
Ask. Exclude band, DJ, crew and third-party producer pay by name. Work you source yourself stays out of the tail. Fallback. Band and producer pay only. Replacement languageAsk: add §14(c)(xiii) (xiii) amounts paid to band members, DJs, crew, and third-party producers for services in connection with Artist's recordings or engagements. Ask: add to §15(a) Post-Term Earnings exclude engagements and agreements Artist sourced without Manager's involvement. |
C24 Low No duty to visit §6(a) Manager shall not be required to travel to or to meet with Artist at any particular time or place |
Florida manager, Phoenix artist. You fund any visit you approve. Why he can accept the fix. A small, bounded cost. |
Ask. One working visit to Phoenix in the first 90 days, cost split. A monthly video review. Fallback. Monthly video review only. Replacement languageAsk: add to §6(a) Manager shall make one (1) working visit to Artist in Phoenix, Arizona within the first ninety (90) days of the Term, with travel costs shared equally, and shall hold a video review with Artist at least once each month. |
C25 Low Business manager required from day one §18 Artist shall retain an independent certified public accountant or business manager |
A business manager costs about 5% of income. Hard to justify at the start. Why he can accept the fix. Keeps the monthly statement he wants. |
Ask. Required once gross passes $50,000 a year. Fallback. Threshold at $25,000. Replacement languageAsk: add to §18 The requirement to retain a business manager applies only once Artist's Gross Earnings exceed Fifty Thousand Dollars ($50,000) in any twelve-month period. Until then, Artist shall pay Manager directly and deliver the monthly statement described below. |
C26 Low Agency coupled with an interest §20 this Agreement creates an agency coupled with an interest |
Adds an argument that his commission is a property interest. §20's own carve-out already limits it. Why he can accept the fix. Termination rights stay either way. |
Ask. Delete §20. Fallback. Leave it. Replacement languageAsk: §20 Delete Section 20 in its entirety. |
C27 Low Florida law and jury waiver §23 EACH PARTY IRREVOCABLY WAIVES ANY RIGHT TO A TRIAL BY JURY |
Mild on their own. The venue in C9 is the part that costs you. Why he can accept the fix. His lawyer's home law. |
Ask. Concede both in exchange for C9. Fallback. None needed. No text change. Concede it as a trade chip. |
"Key Person" in the replacement language means the individual who signs for Bulture. The redline you send fills in the name. Your lawyer should read every clause before it goes out.
Keep these. Do not trade them away. Sections 1, 5, 7, 9(a), 11, 17, 21 and 28 are standard or narrow. §7 keeps him out of booking for legal reasons, so do not ask him to promise gigs.
| Section | What it gives you | Note |
|---|---|---|
| §2(a) | No auto-renewal. Record deals do not extend the Term. shall not be automatically extended by reason of any recording | Blocks the classic lock-in. |
| §2(c) | No-cause exit after month 12, on 60 days' notice. after the first twelve (12) months | A real exit. The tail sets its price (C1, C2). |
| §3(h) | Exit if he goes quiet for 90 days, with a 30-day cure. meaningful management services | A real exit. Tighten it with C13. |
| §4(b) to (d) | Advances need your approval and recoup only from the project they fund. | Better than market. |
| §4(i) | You keep the final say on every deal. Artist shall at all times retain final decision-making authority | His approval can never block you. |
| §6(b) | Meeting on request within 10 business days. in any event within ten (10) business days | A duty to try, not a guarantee. |
| §8 | Narrow power of attorney. He cannot sign for you or bind you. | Confirm the deposit account is yours. |
| §9(b), §12 | Your own lawyer and accountant. Social media and charity work stay free. | Standard protections, present here. |
| §14(c) | Eleven exclusions from commission, (i) to (xi). | Covers the usual must-negotiate list. Add C23. |
| §15 | A hard stop on the tail. in no event shall Manager be entitled to any commission in perpetuity | Avoids the worst sunset. Fix rate and scope. |
| §18 | A business manager collects. Monthly statements. He remits within 10 business days if he collects. within ten (10) business days | Keeps him off your money. Fix the trust wording (C7). |
The money
Every figure below uses stated inputs, and the arithmetic was run twice. The inputs are illustrations, not forecasts.
Inputs: booking agent 10%, business manager 5%, a DJ paid $2,000, no sound or lighting costs.
As drafted, the manager's $2,000 is 30.8% of the $6,500 left after the agent, business manager and DJ are paid. The C23 exclusion is worth $400 a show, $8,000 over 20 shows. Excluding the agent fee as well would leave you $5,100. This audit does not ask for that, because it is not a market norm.
Effective date 2026-09-23. Cream is the Term at 20%. Red is the tail: the brighter the red, the higher the rate. The earliest exit is notice after month 12 plus 60 days, about month 14. Rows labeled in green are the counter.
The table assumes Term-era songs and deals earn $30,000 a year after you leave. The counter also narrows what the tail covers: released work and deals he negotiated (C2). Under the draft, ending it for his breach may still run the full tail. That reading is contested (R7).
| Tail on $30,000 a year | Year 1 | Year 2 | Year 3 | Year 4 | Total |
|---|---|---|---|---|---|
| As drafted, 20 / 20 / 20 / 15 | $6,000 | $6,000 | $6,000 | $4,500 | $22,500 |
| Settle point, 20 / 15 / 10 / 0 | $6,000 | $4,500 | $3,000 | $0 | $13,500 |
| Opening ask, 15 / 10 / 5 / 0 | $4,500 | $3,000 | $1,500 | $0 | $9,000 |
Expenses a year with no sign-off: five $1,000 items a month (C11).
Commission on old catalog earning $500 a month over the Term (C5).
Paid to a second manager per album on a $90,000 net, when both take 20% (C20).
Paid to a buyer you never chose: sale at month 6, $3,000 a month of income (C3).
Sign or walk
The package in one line: "I'll take 20%, three years and exclusivity as written. In return the tail matches the work, and it's you managing me."
Each zoom enlarges one numbered callout from the plan and lists what to do there.
Give C21, then C22, then C27. Hold C24, C25, C26 and the C11 numbers for the last gap.
Back to callout 26-month trial. Exclusive, at 20%, commission only on deals signed in the trial, a 6-month tail. It converts to the full deal with the changes if both agree.
Project deal. One release, 20% of that project for 2 years, nothing else.
Back to callout 3Each phase lists its tasks and the check that closes it. Do not start a phase until the one before it passes.
Before any redline. About 10 minutes plus one message.
The phase passes when all three gate checks have a written answer that passes.
PASS Sunbiz: Bulture LLC active, founder listed as manager or member
PASS One client or project named, and you checked it
PASS Affiliate list in writing ("none" counts)
FAIL any one of the three: stop. Walk, or offer the trial (Zoom 3)
Closed loop: every task is done, or marked failed with a reason, before phase 2.
After phase 1 passes and a lawyer is booked.
The phase passes when the sent redline covers every must-have and he confirms receipt.
CHECK Redline includes C1 C2 C3 C4 C5 C7 C8
CHECK Redline contains no word "fallback", "trade chip" or "walk"
CHECK Receipt confirmed in writing, call date set
Closed loop: every task is done, or marked failed with a reason, before phase 3.
One call, then a written recap.
The phase passes when he confirms the recap in writing and the must-have tally is 7 of 7.
TALLY C1 __ C2 __ C3 __ C4 __ C5 __ C7 __ C8 __ (write Y or N)
PASS 7 of 7 Y, recap confirmed in writing
FAIL any N after the call: trial, project deal, or walk (Zoom 3)
Closed loop: every task is done, or marked failed with a reason, before phase 4.
Before any signature. A music lawyer who handles Florida contracts.
The phase passes on the lawyer's written go-ahead. A problem found sends you back to phase 3.
PASS Lawyer's written go-ahead on the final text
PASS No blank brackets. Effective Date = the date both sign
BACK Lawyer flags a problem: return to phase 3 with that item
Closed loop: every task is done, or marked failed with a reason, before phase 5.
The decision.
The phase passes when one of the three outcomes is recorded in writing.
OUTCOME Signed with 7 of 7 must-haves
OUTCOME Signed the 6-month trial or the project deal
OUTCOME Walked, reason written down
Closed loop: record the outcome in the status board and the changelog.
Task marks: ☐ todo, ◑ in progress, ☑ done.
Warm, short, and no demands yet. Send it once a lawyer is booked. The details go in the redline, not here.
What it does
Ask in writing where you can. A worrying answer is a reason to slow down, not proof of bad faith.
| Code | Question | Good answer | Worrying answer |
|---|---|---|---|
| Q1 | Is Bulture LLC active in Florida, and are you listed as its manager or member? | Yes, with the Sunbiz document number | Vague, or "it's being set up" |
| Q2 | Who else do you manage, and can I talk to one of them? | Names and an introduction | "Confidential," with nothing to check |
| Q3 | What results have you gotten for anyone, with dates? | A placement, a distribution deal, a booking-agent signing | Follower counts and "connections" |
| Q4 | Do you or anyone at Bulture own part of a label, publisher or production company? | "No," or "yes, here is the list," in writing | "We'll cover that later" |
| Q5 | Are you connected to any other music, media or entertainment company, under your name or Bulture's? | A clear yes or no, with names | Evasion |
| Q6 | Do you hold a Florida talent-agency license, or will you stay out of booking shows? | "I work with booking agents and don't book shows myself" | "I book all my artists' shows," with no license |
| Q7 | What is your plan for my first 90 days? | A written calendar, pitch targets, booking-agent targets | "We'll see once you sign" |
| Q8 | Will I ever pay anything up front? | "No. I get paid when you get paid" | Any fee, studio or promo package |
| Q9 | Who drafted this, and what was Section 13? | Names the lawyer and explains §13 | Doesn't know his own contract |
| Q10 | Who at Bulture would actually work on my career? | "Me, personally" | Unnamed staff or partners |
| Q11 | How will we work across Florida and Phoenix? | A call schedule, a visit plan, a Phoenix booking-agent target | "It's all online anyway" |
| Q12 | How do you see the tail working if I later hire a new manager? | Open to a cap or a step-down | "Full 20% is non-negotiable" |
Business records only. No personal searches. "Not found" is a gap to close, not an accusation. Every row is a public search result or the contract itself.
| Finding | Source | Confidence |
|---|---|---|
| The contract lists Bulture LLC's principal place of business as a residential apartment in Lauderhill, FL. The signature block lists Bulture's founder as Founder & CEO. | Contract preamble, §27, signature block | Certain |
| Sunbiz returned an access block on every automated attempt. A mirror registry showed a CAPTCHA. Whether the LLC exists and is active is unknown, not negative. | Sunbiz search | High that lookups were blocked |
| Searches for "Bulture LLC", "Bulture Music" and "Bulture Entertainment" found no website, social account, roster or press for an artist-management company. | Web search, four queries | Medium-high. A new or private profile could exist |
| Other "Bulture" results are unrelated: a podcast and a clothing brand, each with its own stated owners. | Podcast, clothing brand | High that they are unrelated |
| Searches on the founder's name surfaced two music or entertainment companies. Neither is confirmed as the same person or as linked to Bulture. | Web search | Low. Ask directly (Q5) |
| No label, publisher or production affiliate tied to Bulture was found in public. | Web search | Low. A new affiliate would leave no trace |
| No lawsuits, Better Business Bureau listing or complaint threads were found by web search. | Web search. Broward County Clerk and CourtListener not searched | Medium |
| No Florida talent-agency license check was run. | DBPR license lookup | Not checked |
No independent source yet confirms that the company exists, that its founder runs it, that it has other clients, or that it has results. None of this suggests wrongdoing. It fits a brand-new company as well as anything else. That is why the pre-signing checks and the key-person clause come first.
Paraphrased, with links. Each point names the finding it supports.
Sunsets now commonly run 18 to 24 months, "rarely holding full rate past year one". A 36-month full-rate sunset is called the 2018 standard.
20% flat on gross, with broad exclusions, is the normal first-time signing. Step-downs by year, such as 20 / 17.5 / 15, are increasingly common.
A classic graduated sunset after a 20% term rate is 15%, then 10%, then 5%, then nothing.
The tail should cover only deals the manager materially helped create. Money from deals signed before the manager arrived should stay out. Initial terms of 12 to 18 months are suggested.
If your key person leaves the management company, you should be able to end the deal or follow them.
Limit the tail to records created and released during the term, and have the new manager back out the prior manager's share. That stops double commission.
Producer and band pay should come out of the commission base. Many managers take net on merch and gross on the rest.
The manager covers their own overhead. Only pre-approved, documented, out-of-pocket costs get repaid.
A personal manager must not act as an unlicensed talent agent by procuring work. Contracts that blur that line risk being voided. The article is about California law.
On a music-business forum, working managers anchor commission at 15 to 20%. Taken from the research summary. The thread was not re-read.
Florida enforces mandatory venue clauses unless the party resisting makes a strong showing that enforcement is unjust. Living in Arizona alone is usually not enough.
Since 2023, Florida small claims covers disputes up to $8,000, and circuit court starts above $50,000. A typical commission dispute is cheap for him to file at home.
An agent workflow run on 2026-09-23. A four-model council (GPT, Gemini, Grok, Sonar) was planned. Its fan-out and the X search did not run, so the council file counts as one more analyst's read.
Corrections that changed the advice: the tail after a breach and the §16 conflict are contested, not settled. Florida unlicensed booking is a felony, but one-artist managers are exempt. The Arizona arts-lawyer group appears inactive. The 15%-rising-to-20% rate ask was dropped.
The 30-section offer this audit reads. Private. Not published here.
existsDiligence, forums and industry, law and market norms.
existsThree lenses over every section, with dollar scenarios.
existsFidelity check of every quote and claims check of every norm.
existsThe source for sections 05, 08, 09 and 10.
existsFindings, money exhibits and the negotiation plan, for the artist and anyone advising him.
existsTracked changes to send to the manager. Delivered privately, never hosted.
plannedSection 09, ready to copy.
existspython3 check_site.py . # expect: FAILS []
# quotes, privacy, dashes, noindex, requests, anchors
grep -c 'noindex, nofollow' site/index.html site/_headers # expect: 1 or more each
python3 vspec_validate.py --file site/index.html # expect: VSPEC OK
Not legal advice
This page is an audit of contract text by an AI research workflow. It is not a law firm, and it creates no lawyer-client relationship. Have a music lawyer who handles Florida contracts read the final text before you sign.
Dollar figures are illustrations with stated inputs. Contested readings are marked. No Florida case was found that applies ch. 468, "agency coupled with an interest" or a §29-type clause to an artist-manager deal.
Why the advice looks the way it does. Append only: a reversal is a new row.
| Date | Decision | Reason |
|---|---|---|
| 2026-09-23 | Verdict: sign with changes, not as drafted. | The draft has real protections. The losses sit in the tail and in who the counterparty is. |
| 2026-09-23 | Accept the 20% rate as a trade chip. | 20% flat is the documented first-time norm. A 15%-rising-to-20% ask runs against the 2026 market shape. |
| 2026-09-23 | Open the tail at 15 / 10 / 5 / 0 and settle at 20 / 15 / 10 / 0. | A lawyer's classic graduated sunset is 15 / 10 / 5. Every analysis lands on the same settle point. |
| 2026-09-23 | Present §16 and the tail after a breach as contested. | The fidelity check found the contract text gives the artist real arguments on both. |
| 2026-09-23 | Do not ask to exclude agent or business-manager fees from commission. | Not a market norm. Band, DJ and producer pay exclusions are. |
| 2026-09-23 | Drop the ask to strike "interest" from §14(b). | §14(b) reaches only career income, and §14(c)(iii) excludes investment income. |
| 2026-09-23 | Report no Reddit or X opinion. | Reddit blocked every route, and the X search did not run. |
| 2026-09-23 | Name the key person by role on this page. | The page is shareable. The private redline fills in the name. |
| Question | Owner | Blocks | State |
|---|---|---|---|
| Is Bulture LLC active, with its founder on the filing? | Artist | Phase 1 | open |
| Does Bulture hold a Florida talent-agency license, or will it stay out of booking? | Artist (Q6, DBPR) | Phase 1 | open |
| Does Bulture or its founder own any label, publisher or production company? | Manager (Q4) | Phase 1 | open |
| Any litigation history? Broward County Clerk and CourtListener were not searched. | Artist | Phase 1 | open |
| What was §13 before it was cut? | Manager (Q9) | Phase 3 | open |
| Does commission run during a §19 suspension? The text is silent. | Lawyer | Phase 4 | open |
| Is the artist under 18? | Artist and lawyer | Phase 4 | open |
For anyone who picks this up later.
Append only, newest last. The status board stamp matches the last entry.